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Oil Paintings Come From United Kingdom
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Arkhip Ivanovich Kuindzhi
Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.

 

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Arkhip Ivanovich Kuindzhi Elbrus-Moonlight oil painting

Painting ID::  35260

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Arkhip Ivanovich Kuindzhi
Elbrus-Moonlight
cn40 1890-1895 Oil painting 36.5x55.4cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi The far-away place of forest oil painting

Painting ID::  35261

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Arkhip Ivanovich Kuindzhi
The far-away place of forest
cn40 1890-1895 Oil painting 30.5x25cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi The sun in the park oil painting

Painting ID::  35262

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Arkhip Ivanovich Kuindzhi
The sun in the park
cn40 1898-1908
   
   
     

 

 

Arkhip Ivanovich Kuindzhi Oak oil painting

Painting ID::  35263

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Arkhip Ivanovich Kuindzhi
Oak
cn40 1900-1905 Oil painting 63x164cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi Elbrus oil painting

Painting ID::  35264

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Arkhip Ivanovich Kuindzhi
Elbrus
cn40 1898-1908 Oil painting 36x62cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi Landscape oil painting

Painting ID::  35265

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Arkhip Ivanovich Kuindzhi
Landscape
cn40 1898-1908 Oil painting 39x53.5cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi Rainbown oil painting

Painting ID::  35266

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Arkhip Ivanovich Kuindzhi
Rainbown
cn40 1900-1905 Oil painting 110x171cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi Cloud oil painting

Painting ID::  35267

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Arkhip Ivanovich Kuindzhi
Cloud
cn40 1900-1905 Oil painting 140x194cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi Landscape oil painting

Painting ID::  35268

X 
 

Arkhip Ivanovich Kuindzhi
Landscape
cn40 1898-1908 Oil painting 40x54cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi Landscape oil painting

Painting ID::  35269

X 
 

Arkhip Ivanovich Kuindzhi
Landscape
cn40 1905-1908 Oil painting 107x169cm
   
   
     

 

 

Arkhip Ivanovich Kuindzhi Portrat der Vittoria Marini oil painting

Painting ID::  77787

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Arkhip Ivanovich Kuindzhi
Portrat der Vittoria Marini
Deutsch: um 1850 English: c. 1850 Medium Oil on canvas Dimensions Deutsch: 63,5 ?? 47,1 cm cyf
   
   
     

 

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Arkhip Ivanovich Kuindzhi
Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.